Alan Liu

“The Meaning of the Digital Humanities.” Duke University. 11 October 2012.

• Storified tweet stream from the talk.

“Creating a Humanities Advocacy Media Plan in the Digital Age.” Meeting of the Faculty Steering Committee for the Carolina Digital Humanities Initiative. University of North Carolina. 9 October 2012.

• Materials Relating to Talk:
  • Alan Liu and William G. Thomas III, “Humanities in the Digital Age” (Inside Higher Ed — Views, 1 October 2012.
  • 4Humanities
  • Prezi for Alan’s talk on “Creating a Humanities Advocacy Media Plan in the Digital Age”
• Alan’s visit to the Blake Archive Offices at UNC (Photos)

“3 key Digital Humanities Trends: How Digital Humanities Registers Changes in the Humanities Today.” National Humanities Center. 5 October 2012.

Presentation Materials:

• Alan’s Prezi
• Eric Steiner and Zephyr Frank, The Socio-Spatial Network of Memórias Póstumas de Brás Cubas — Tracking Interactions Between People, Spaces, and Themes (Stanford Spatial History Project)
• RoSE (Research-oriented Social Environment) — dir. Alan Liu; co-directors Rama Hoetzlein and Rita Raley (NEH Digital Humanities Start-up Grant, Level II, 2011-12)

“When Was Linearity? — Linear Thought, Graphics, and Freedom in the Age of Knowledge Work.” North Carolina State University. 3 October 2012.

“Digital Humanities, Pedagogy, and Tomorrow’s Humanities — An Informal Presentation.” North Carolina State University, 3 October 2012.

Seed materials for Discussion:

• Alan Liu and William G. Thomas III, “Humanities in the Digital Age.” Inside Higher Ed — Views, 1 October 2012.
• Literature+ courses (Instructor, Alan Liu)

“The Meaning of the Digital Humanities — A Paper in Progress.” King’s College, London. 19 September 2012.

“Creating a Humanities Advocacy Media Plan” Show the Arts and Humanities Matter conference, University College London. 18 September 2012.

• Prezi for Alan’s talk.
• Conference site with links to speakers’ presentation slides.
• Sketches from the conference by Artist-in-Residence Lucy Lyons.

“Close, Distant, and Unexpected Reading: The Modern Paradigm of Literary Analysis.” Ropes Lecture Series, University of Cincinnati. 10 May 2012.

“Transliteracies: The Big Bang of Online Reading.” Walter J. Ong Memorial Lecture, Saint Loius University. 23 April 2012.

“Remembering Networks: Agrippa, RoSE, and Network Archaeology.” Network Archaeology conference, Miami University, Ohio. 21 April 2012.

“Close, Distant, and Unexpected Reading: The Modern Paradigm of Literary Analysis.” Digital Humanities Australasia 2012 (inaugural conference of Australasian Association for Digital Humanities), Australian National University, Canberra. 28 March 2012.

Videos of Keynote Presentations

(3 hrs. 46 mins.)
• 1. Julia Flanders, “Rethinking Collections” (0:0:0 to 0:47:00 | Q&A 0:47:01 to 1:14:39)
  2. Alan Liu, “Close, Distant, and Unexpected Reading” (1:14:40 to 2:12:00 | Q&A 2:12:01 to 2:29:35)
  3. Peter Robinson, Harold Short, John Unsworth – Panel on “Big Digital Humanities” (2:29:36 to 3:29:10 | Q&A 3:29:11 to 3:46:02)
• Conference Program
• Conference Photos

“Remembering Networks: Agrippa, RoSE, and Network Archaeology.” University of Western Australia, Perth. 23 March 2012.

“Remembering Networks: Agrippa, RoSE, and Network Archaeology.” Cultural Historiography conference, University of Guelph. 1 March 2012.

“Remembering Networks: Agrippa, RoSE, and Network Archaeology.” 1991@2011: Media in Motion Conference, Department of Media Studies, University of Amsterdam. 21 October 2011.

“Remembering Networks: Agrippa, RoSE, and Network Archaeology.” Digital Arts and Humanities Lecture Series, Brown University. 3 October 2011.

“RoSE (Research-oriented Social Environment).” Compatible Data Initiative meeting, New York City. 24 September 2011. (Talk presented via Skype.)

“Where Is Cultural Criticism in the Digital Humanities?” (50-minute version). University of Nottingham. 5 July 2011.

“Where Is Cultural Criticism in the Digital Humanities?” (30-minute version). Digital Literacies panel. The Future University conference. Centre for Research in the Arts, Social Sciences, and Humanities (CRASSH), Cambridge University. 2 July 2011.

• Video of talk

“4Humanities: The Digital Humanities Community & Humanities Advocacy.” Luncheon address at centerNet General Business Meeting, Digital Humanities 2011 conference, Stanford, 22 June 2011.

• DH 2011 Web site
• Twitter archives of conference: 1 | 2

“This is Not a Book: Long Forms of Shared Attention in the Digital Age.” Panel on “What is a Book?”, Unbound Book Conference, Central Library, Amsterdam, and Royal Library, The Hague. 20 May 2011.

• Video of talk
• 
• Conference site
• Conference Photostream
• Photos of panel on “What is a Book?”: 1 | 2 | 3 | 4 | 5

“Introduction to Research Slam.” English Department, University of California, Santa Barbara. 13 May 2011.

• HUMlab, Umeå University, Sweden
• Maryland Institute for Technology in the Humanities (MITH) (and Digital Cultures & Creativity Honors Program)
• Writers House at Rutgers University: Homepage | Photos from site visit
• University of Washington DUB (Design Use Build) Program in Human-Computer Interaction and Design
  • Axel Roesler

  Images for Intro

  
  

Workshop with Alan Liu, Patrik Svensson, and Whitney Trettien. HUMlab, Umeå University, Sweden. 10 May 2011.

Essays and sites for workshop:
• Alan Liu, “The State of the Digital Humanities: A Report and a Critique” (manuscript of forthcoming article)
• Alan Liu, “Where is Cultural Criticism in the Digital Humanities?”
• 4Humanities
• Patrik Svensonn, “The Digital Humanities as a Humanities Project” (manuscript of forthcoming article)

“Close, Distant, and Unexpected Reading: New Forms of Literary Reading in the Digital Age.” HUMlab, Umeå University, Sweden. 10 May 2011.

• Video of talk

“Friending the Past: The Sense of History and Social Computing.” California State University, Los Angeles. 2 May, 2011.

“The Rebound Book: What Binds a Book Together in the Digital Age?” Workshop on Emerging Configurations of the Virtual and the Real, Chicago (hosted by School of Information Sciences, University of Pittsburgh). 20 March 2011.

• Conference Web site, with slide presentations (login required)

“The University in the Digital Age: The Big Questions.” Texas Institute of Literary and Textual Studies symposium on “Digital Humanities: Teaching and Learning.” University of Texas, Austin. 10 March 2011. (Talk presented via Skype.)

• Video of talk

Pedagogy Session: “A Digital Approach to Collaborating Across Disciplines: Literature+”. Conference on “Literature, Creativity, and Print Culture: Sustainability in a Digital Age” (7th Annual Undergraduate Literature and Creative Writing Conference). Susquehanna University. 21 February 2011.

• Notes and Links for Session Introduction

“Close, Distant, and Unexpected Reading: New Forms of Literary Reading in the Digital Age.” Conference on “Literature, Creativity, and Print Culture: Sustainability in a Digital Age” (7th Annual Undergraduate Literature and Creative Writing Conference). Susquehanna University. 21 February 2011.

“Toward a Larger Vision of Digital Instruction: Critical Reflections on the UC Online Instruction Pilot Project.” Faculty Forum on “Is Online Education the Answer?” Interdisciplinary Humanities Center, University of California, Santa Barbara. 13 January 2011.

• Description of IHC Faculty Forum on “Is Online Education the Answer?”
• UC Online Instruction Pilot Project

“Close, Distant, and Unexpected Readings.” Panel on “So Close and Yet So Far: Close Reading and Sociology.” Modern Language Association convention. Los Angeles. 9 January 2011.

“Where Is Cultural Criticism in the Digital Humanities?” Panel on “The History and Future of the Digital Humanities.” Modern Language Association convention. Los Angeles. 7 January 2011.

• Full text of original talk (delivered in truncated, improvised from during the panel due to time constraints)

“From Reading to Social Computing.” Department of English, University of Maryland, College Park. 5 October 2010.

“Rerouting Creativity: New Media Arts after the Ideology of Creativity.” Arts and Humanities Dean’s Lecture Series, University of Maryland, College Park. 4 October 2010.

Workshop on “When Was Linearity? What Graphics Mean in the Digital Age.” Center for the Arts in Society, Carnegie Mellon University. 17 September 2010.

• Reading for workshop

“Remembering Networks: Agrippa, RoSE, and Network Archaeology.” Center for the Arts in Society, Carnegie Mellon University. 16 September 2010.

• Abstract: In 1992, at the onset of the digitally networked aged, publisher Kevin Begos, Jr., artist Dennis Ashbaugh, and novelist William Gibson issued their collaborative artist book Agrippa (a book of the dead), whose last pages contained a self-encrypting, “vanishing” poem on a diskette. The poem immediately went viral on the networks and clinched Agrippa’s status as a prototypical networked book or “book that became a network.” Basing his talk on Agrippa as well as on The Agrippa Files site that he and graduate students built to document the book’s media and contexts, Alan Liu speculates on how a “network archaeology” might be possible that extends the scholarly approaches of “media archaeology” and “the history of the book” to past works that are networked. Liu will conclude with a presentation of the RoSE (Research-oriented Social Environment) online system that the Transliteracies Project he directs created to capture networks of past writers, readers, and works through present social-network technologies.

“From Reading to Social Computing.” Center for Digital Humanities, University of South Carolina. 9 September 2010.

• Video of talk
• Video interview of Alan Liu by David Miller, Director of Center for Digital Humanities

“Literature and Social Mapping: From Reading to Social Computing.” University of Tennessee, Knoxville. 26 August 2010.

Workshop on “Escaping History: The New Historicism, Databases, and Contingency” (chap. 9 of Local Transcendence: Essays on Postmodern Historicism and the Database). University of Tennessee, Knoxville. 26 August 2010.

“Against the Monotony of Singularity: Humanities Institutions and Collective Intelligence.” Roundtable on “Collective Intelligence or Silicon Cage?: Digital Culture in the Twenty-First Century – A Bilingual Dialogue between Alan Liu and Pierre Lévy.” Society for Digital Humanities 2010 Conference. Montreal. 2 June 2010.

• Pierre Lévy’s untitled opening statement
  (full text in English with slides; delivered informally in French at the event)
• Alan Liu’s opening statement, “Against the Monotony of Singularity: Humanities Institutions and Collective Intelligence”
  (full text as .doc; slides below) (larger slides in separate window)

“From Reading to Social Computing.” Workshop in the Stanford U., Mills C., UC Berkeley, and UC Santa Cruz “What is a Reader?” project. Stanford University. 21 May 2010.